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Illustrations that are reminiscent of comics from the s, due to the use of halftone or dotted effect, although the author does not consider himself a comic artist.  Lover of crumb's underground , he has done work for Rayan, the cul-de-sacs studio or yorokubu magazine. Getting to know him is pure fun. Ink bad company cover developed by ink bad company for unborable cover developed by ink bad company for unborable cover developed by ink bad company for unborable cover developed by ink bad company for inborrable your illustrations breathe air from the comics of the s ands.

What is it about the world of classic comics that attracts contemporary illustrators so much? I guess it must be a generational thing. Obviously, we do not live in that time. But we do belong to Phone Number List those generations that still grew up in the pre-internet world. Most of us had some kind of love relationship, more or less lasting, with comics. And if we survive the educational system and today we dedicate ourselves to drawing, it is more than likely that that first love gave us strength. That, or maybe it's just a fad. Who knows? What would you say are your influences? And your fetish artists.



The b series, the low-grade horror and science fiction movies, the " rock and roll", the old advertisements. Floyd gottfredson , jack kirby, wally wood , robert crumb or charles burns. Toutant 's magazines bernie wright son, Stephen king. I could go on, but i think it's better to stop in time. Sagan album cover - ink bad company saga album cover - ink bad company sagan album cover - ink bad company how important is the use of color for ink bad company? What colors do you prefer and why? Color is very important. That's precisely why it's a real headache [laughs]. Really, it's the part of my process where i feel like i don't have complete control.